by Benjamin Devin (London, UK) THE National Gallery exhibition, Dürer’s Journeys: Travels of a Renaissance Artist (November 2021-February 2022), offered a refreshingly sophisticated exploration of Albrecht…
by Emily Laurent-Monaghan (Bucharest) and Maureen Winter (Turin) “I would like to write a Philosophy of Failure, with the subtitle for the Exclusive Use of…
by Sanzhar Akayev (Moscow, Russia) Contemporary universities occupy an important yet peculiar place in our societies, serving as intersections of various intellectual, scientific, and economic…
Image: Carolee Schneemann, Up To And Including Her Limits (1973-76) by Jeanette Joy Harris (Texas, USA) COVID-19 has dramatically affected cultural life. Museums, galleries, theaters, and performance…
by Nikolaas Deketelaere (Paris, France) We are more than a year into what the American poet Paul Monette (1945-1995) called “the calamity,” referring to the…
Image: Claire Fontaine, “They Hate Us For Our Freedom” (2008) by Emily Laurent-Monaghan This conversation with Samir Gandesha, public intellectual and professor of Humanities at…
