{"id":19868,"date":"2023-06-28T09:45:33","date_gmt":"2023-06-28T09:45:33","guid":{"rendered":"https:\/\/parisinstitute.org\/?page_id=19868"},"modified":"2023-07-08T19:26:29","modified_gmt":"2023-07-08T19:26:29","slug":"depictions-ii","status":"publish","type":"page","link":"https:\/\/parisinstitute.org\/depictions-ii\/","title":{"rendered":"Depictions II"},"content":{"rendered":"\t\t
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Welcome to\u00a0<\/span>dePICTions<\/em><\/span>\u00a0<\/span>volume 2 (2022):<\/span> U.S. vs. \u2026 (Un-)American Crossings and Appropriations<\/span>.<\/em>\u00a0<\/h2>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tEditorial Note II\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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dePICTions volume 2 (2022): U.S. vs. … (Un-)American Crossings and Appropriations Editorial Note How is knowledge ex\/im-ported? What happens to knowledge when it lands in<\/p>\n

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\n\t\t\t\n\t\t\t\t(French) Theory: An Anti-American American Invention\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Fran\u00e7ois Cusset (French) Theory: An Anti-American American Invention \u00a0If French Theory is American, it is so in the sense of being an errant concept, caught<\/p>\n

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\n\t\t\t\n\t\t\t\tAmerican French-ness: The American Appropriation of Contemporary French Philosophy\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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\u00a0 Kristof K.P. Vanhoutte American French-ness: The American Appropriation of Contemporary French Philosophy From the early seventies onwards, a variety of philosophical theories produced in<\/p>\n

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\n\t\t\t\n\t\t\t\tTowards an Architectural Theology: An Appropriation of Thought Between Tillich and Mies\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Image: Ludwig Mies van der Rohe, Chicago Federal Center Mike Grimshaw Towards an Architectural Theology: An Appropriation of Thought Between Tillich and Mies Paul Tillich<\/p>\n

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\n\t\t\t\n\t\t\t\tSigmund Freud\u2019s America\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Philip Alcabes Sigmund Freud’s America \u00a0Freudian thought has been embraced, actuated, and exemplified in contemporary America. This essay explicates four features of the trans-Atlantic instantiation<\/p>\n

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\n\t\t\t\n\t\t\t\tAlbanian Softshoe: Addressing American Issues via the Most Anti-American Country\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Image:\u00a0The Children of the Planet Saturn, Jan Brueghel the Younger (1601-1678) Anxhela Hoxha-\u00c7ikopano Albanian Softshoe: Addressing American Issues via the Most Anti-American Country \u00a0In 1985,<\/p>\n

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\n\t\t\t\n\t\t\t\tBeyond Appropriation: Art Tatum Taps into Infinity\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Judith Ellis Beyond Appropriation: Art Tatum Taps into Infinity \u00a0As the tracing of beginnings is a dubious task in the writing of history and the<\/p>\n

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\n\t\t\t\n\t\t\t\tThe World Stops When You Find Yourself Engrossed in Another Person\u2019s Story\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\t\t
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Image: Stephanie Hayes in Slow Machine Yonca Talu The World Stops When You Find Yourself Engrossed in Another Person\u2019s Story Interview with Paul Felten and<\/p>\n

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Welcome to\u00a0dePICTions\u00a0volume 2 (2022): U.S. vs. \u2026 (Un-)American Crossings and Appropriations.\u00a0<\/p>\n

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